ALL BY MYSELF

Nicicand mediocritatea nu a fost mai insidioasa, mai coversitoare ca astazi in tarisoara asta, tarisoara care in ciuda acestei adevrate viituri de nonvaloare si venin, isi naste geniile, oamenii de exceptie in toate domeniile.
Flacaruia de divinitate care sta ascunsa in fiecare din noi va razbi si vom gasi in cele din urma lumina. Noi, prin noi insine.

De sf.Andrei pentru toti care poarta acest nume si pentru Romania mea, aflata sub protectia sfantului Andrei, va ofer tuturor o cheie spre divinitate – muzica – si o mostra de cum poate tarisoara noastra va renaste. Nu intamplator numele ei este Andreea, Andreea Olariu, un nume care va face sigur cariera planetara. O piesa celebra al carui titlu All By Myself este cheia prin care si Romania va iesi la lumina.

Architecture & Music

dan_agent4
Music and architecture are both a kind of mathematics. It is interesting that speaking about music, architecture and mathematics you can hear sometimes: architecture is the music of space, or the architecture of a theorema, or the inner music of mathematics, a.s.o. A well known author use to say in the beggining of the last century that architecture, music and dance are „pure arts” making the difference to other visual arts and literature. Why ? Because they exists only in mind. Louis Kahn used to say that architecture does not exists. What exists is a built reality which is an offering to the idea of architecture.
What is the common thing in this relation architecture / music ? Of course any kind of classifying is in a way simplistic but we like to do it for the sake of thinking. Music and architecture do not need words as intercessor. I will say that music is the purest art because it goes directly to our sensibility, without – it seems – any process of sinking involved. Architecture seems to use the same shortcut to our sensibility, but architecture needs a special key to be un-codified (I hope this term exists in English !). There are people who enter architecture without seeing it. But music is telling people always that what they are listening is music, even it is a simple gospel.
Music and architecture are using harmonies. What is harmony ? I believe we are speaking about some basic schemes – close to mathematics of the stars – which are structuring everything and we „feel” good when recognizing them.
Harmony is fitting these basic schemes.
Music and architecture both seem to include time as a main factor in discovering them. I was convinced of this but after listening Sergiu Celibidache – the celebrated musician – describing the way he discovered Music as a whole with no beginning and no end, but only a whole including every piece mirroring each other like a hologram, I am now thinking to Music in the same way I am thinking architecture – as a Whole.
I like jazz very much and after listening many times a piece of jazz I understand each part of it by relating it to the whole and to all other parts. It is the same with architecture. There is no detail, there is no part, every detail and every part is justifying it through the whole and by all the other parts.
Good music and good architecture. You can hear it or you can see it thousand times and each time you discover other beautiful surprises.
Other similarity is the fact that music and architecture depends on the moment. The idea of music and the idea of architecture are each time completed by new experience but each time different. It depends of the artist – when we are speaking of music – and it depends on the light when we are speaking of architecture.

ritm, ierarhie, unitate, coerenta


intregul este mai mult decat suma elementelor care-l compun
iata-i si impreuna Mario Laginha si Maria Joao, doi portughezi cu sange (muzical) brazilian

  • pacat ca nu mai exista atelierele de arhitectua ca pe vremuri cand fiecare student isi avea locul lui si … ascultam muzica pana noaptea … cand venea decanul sa ne dea afara

    simetrie / disimetrie

    fiind cu umarul rupt strans intr-un fel de orteza care mi-a imobilizat mana dreapta mi-am adus aminte ca nu am mai ascultat-o pe Maria Joao de foarte de demult.
    m-am gandit ca n-ar fi rau sa le exemplific studentilor principiile compozitiei ascultand putina muzica, suficient de neobisnuita si incitanta pentru a-i face curiosi si a le prilejui o experienta speciala.
    pentru ca experienta sa fie „totala” recomandabil este sa fie ascultate mai intai piesele din cele doua posturi anterioare

    tema – dupa ce am ascultat o data Beatriz e usor de distins tema la a doua interpretare
    simetria – doua interpretari
    disimetria – doua maniere in contrast
    complexitatea – suprapunerea celor doua in timp si in acelasi timp

    va las sa descoperiti singuri celelalte principii